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Nikon 28-300mm Lens: The Ultimate All-in-One Lens for Full-frame Shooters?

pl_pv-vineyard_0730[3]Any Nikon shooter who has switched back to full frame cameras from the popular DX size sensor is likely to tell you how much they miss the excellent and convenient Nikon 18-200mm “all-in-one” zoom that until now has been the ultimate vacation and travel lens. Good enough for simple pro projects but small, flexible and convenient enough to be the only lens for many amateur and entry level “prosumer” photographers with DX size sensors. But what about for full frame shooters? Does the 28-300 fit the bill? Read on to find out…

Sigma 70-300mm DG OS Lens: Another Lightweight Winner for Budget Conscious Shooters

djc_1617[3]Moving beyond the kit lens is a big and very common step in upgrading your photo gear. One of the first lenses most photographers want to add is a better telephoto zoom. But their jaws drop at the size, weight and price of the big “pro” lenses so their next best choice is the very popular 70-300mm zoom. Nikon and Canon have great products in that range but at nearly $600 they’re more than many photographers paid for their camera and more than many of them want to spend. Fortunately Sigma has upgraded its popular 70-300mm Zoom to include both a motor and stabilization and kept the street price under $400…

Nikon Announces Four New AF-S Lenses: DX 55-300mm f/4.5-5.6G VR, 28-300mm f/3.5-5.6G VR, 24-120mm f/4G VR and 85mm f/1.4G

New NIKKOR Glass Yields an Unprecedented Seven Lenses Released to Date in 2010

MELVILLE, N.Y. Aug. 19 /PRNewswire/ -- Today, Nikon Inc. announced four new lenses to the legendary NIKKOR line to meet the needs of all types of photographers, from those looking for the ideal lens for capturing memories of the school play to pro glass that captures client work in the studio. The new AF-S DX 55-300mm f/4.5-5.6G ED VR, AF-S 28-300mm f/3.5-5.6G ED VR, AF-S 24-120mm f/4G ED VR and AF-S 85mm f/1.4G deliver the optical excellence and stunning image quality that consumers have become accustomed to with AF-S NIKKOR lenses. Nikon's optical engineering experience and devotion to extraordinary standards of excellence have contributed to the strength and legend of the NIKKOR brand. With the addition of these four lenses, 2010 has seen the introduction of a total of seven new NIKKOR lenses, reinforcing Nikon's role as the world leader in optics.

Full-frame Ultra-Wide Zoom Lens Face-off: Sigma 12-24mm f/4.5-5.6 versus the Nikon 14-24mm f/2.8G Lens

I really enjoyed shooting with the Nikon 14-24mm AF-S f/2.8G ED lens which was released as part of Nikon’s foray into full-frame cameras along with the D3. It takes incredible images and was a pleasure to use. But for most of us it has several drawbacks which make it a difficult acquisition. First is price. At $1800 for the US version it is a large investment for a lens that typically gets used a lot less than a mid-range zoom. Second, it is large and heavy. If you lug your gear with you the 2.2 lb. weight and 4”x5” size create quite an impact on your photo pack. Finally the “domed” front makes it difficult and expensive to use filters with it (an expensive add-on adapter is needed).

Breakthrough Teleconverter for Consumer Lenses: Kenko Teleplus Pro 300 DGX 1.4x

Few questions from safari participants make me cringe as much as the one about using a Teleconverter with their consumer or prosumer lenses. Both Nikon and Canon have worked hard on excellent Teleconverters for their high-end pro Telephoto lenses, but for some good reasons have orphaned their other lenses in that regard. Solutions were all ugly, involving a loss of Auto-Focus and often physical modifications to lenses. But now all that has changed with the introduction of the …

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